The Lacanian Review Online

  • Art and Fiction: Takahiro Kudo

    By Françoise Stark-Mornington | May 8th, 2019

    Takahiro Kudo’s series[1] Such as Mirage and Blinkers (2015)   Since the end of the 20th century, the work of art has become shrouded with investment speech. The storytelling seems […]

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  • Desire, Jouissance and Fantasy

    By Éric Laurent | May 4th, 2019

    The ‘desire of desire’, as it is posed, clearly has no defined object. The ‘desire of desire’ is precisely an abyss, an opening, an endlessness. The ‘desire to harm’ has […]

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  • One More Effort to Love Women!

    By Anaëlle Lebovits-Quenehen | May 1st, 2019

    The high-profile sexual harassment cases attest to the fact that women continue to pursue their liberation, this time with the support of a mass movement. Those who put forward the […]

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  • The Time of the Era and the Time of an Analysis

    By Jorge Assef | April 27th, 2019

    In the course of his Brazilian seminars published under the title of “The Erotics of Time”, Jacques-Alain Miller, referring to La Rochefoucauld’s saying about the impossibility of looking death in […]

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  • Bodies That Gestate

    By Ana Cecilia González | April 20th, 2019

    Stumbling around in search of a subject of its own, after having constructed and deconstructed it several times, feminism seemed to dissolve into gender theory, which put the accent on […]

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  • Captivations of the Algorithmic Ego

    By Colin Wright | April 17th, 2019

    Against the lures of the imaginary, Jacques-Alain Miller has defined psychoanalysis as “an invitation for the subject to abstract himself from the ineluctable modality of the visible and renounce the […]

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  • The Hate Speech

    By Bogdan Wolf | April 13th, 2019

    The sway of populism in the political life of Europe today is not new. It filled the socio-political scene between WW1 and 2 from Spain to Italy, Britain to Germany […]

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  • Art and Fiction: George Widener’s Time Machine

    By Françoise Stark-Mornington | April 10th, 2019

    George Widener’s Time Machine (2011) [1]       (*)   Amazing! If from the Freudian and Lacanian standpoint, the artist precedes the psychoanalyst,[2] between words and images, what are […]

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