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The Lacanian Review No 11: “The Art of
Singularities”
CONTENTS
Editorial
Cyrus Saint Amand Poliakoff, Singularities
Singularity – Worth the Sweat
Jacques Lacan, Sur le plaisir et la
règle fondamentale
Jacques Lacan, On Pleasure and the
Fundamental Rule
Signature
Jacques-Alain Miller, La
signature des symptômes
Jacques-Alain Miller, Signature of the Symptoms
Singularities and the Real
Marie-Hélène Brousse
& Pierre-Louis Lions, Singularities, an Analytical Serial: First Episode
Pass and the Formation of the
Psychoanalyst
Alexandre Stevens, Introduction to the Dublin Day 2021
Dossia Avdelidi, The Most Important
One
Florencia F.C. Shanahan, XCEPTION
Anne Béraud, The Sinthome and the
Analyst’s Style
Marina Frangiadaki, Of the Use of
Supervision in Lacan’s School
Joost Demuynck, A Supervision and An
Analysis
Pierre-Gilles Guéguen, The Guarantee
for the NLS
Maria Cristina Aguirre, Question of
the Guarantee and Supervision
Daniel Roy, Conclusion
One,
by One
Fourteen, One, by One
Littorals
Marcelo
Veras, A Body in
Anamorphosis
Elizabeth Rogers, A Feminine Poetic of Movement
Robert Buck,
Out There in Nomadland
Kate Briggs, This Body, This Land
S1
Jean-Claude Maleval and Michel Grollier, Freezing and Thawing of S1 in the Autistic Subject
Haute Couture
Gerardo Arenas,
Eleven Reflections on the Singular
Peggy Papada, Tracing the Not-All
Alasdair Duncan, Style as a
Psychoanalytic Concept
Véronique Voruz, Living Up to One’s
Act
Know How
Anne Lysy, The Pass of the Fantasy / The Pass of the Sinthome
Anne Lysy, et
al., Discussion
Second
Hand
Robert Buck, On
and Off the Grid
Brief
The Lacanian Review No.
11 explores what can be said about the art of singularities in the experience
of psychoanalysis, the singular in art and writing, and fields of mathematics
that aim at this horizon of the real. Without the effort to circumscribe what
is singular for the speaking being, life ends up as a gray composite of
everyone's favorite color.
Presentation
Fueled by
globalization, the world is increasingly governed by the category of the
exception. As a result lives appear confined by the law of the statistical norm
and at the same time the lawlessness of individualism. Reduced to medical data,
converted into subjective data, a series of app profiles with checkboxes feeds
algorithms used to market ourselves back to ourselves. The result of the
standardization of subjectivity is a series of endless new categories of
identity, exceptionalism attempting to carve out a vanishing space of the
subject.
Psychoanalysis,
pushed to its end, can attest to the singularity of a speaking being, something
impossible to quantify or compare with a norm applied for all people—human rights—or some people but not
others—segregation. This concept of
singularity has an absolute dimension in that it cannot be replicated,
translated, or held against a principle of commonality or community.
Identifications drawn from the Other and the buzz-word master signifiers that
are imposed on bodies do not cease to operate; they are a structural fact of
language. Yet with psychoanalysis and other discourses that approach the real,
the irreducible remainders encountered by the speaking body can never be
totally inscribed within the master's discourse. It is not a question of
something unique, but an invention outside of sense, one written not to be
read, but nevertheless spoken.
This volume
of The Lacanian Review (TLR), starting from the orientation to
the real and the singular developed by Jacques Lacan and elaborated by
Jacques-Alain Miller, presents the dossier of presentations delivered at the
January 2021 event of the New Lacanian School, “Pass and Formation of the
Psychoanalyst.” Testimonies of the pass delivered to a School of psychoanalysis
embody one of the arts of singularity. A collection of new texts from 14
authors on 14 visual artists shows other pathways to the singular, one by one.
With a few detours into the littoral, the sinthome, the signature and style, TLR invites the reader to consider what
Lacan proposed as inciting one to pass through the right hole of what is
offered by an analysis as singular.
__________________________________________________________New Lacanian SchoolDésinscription – UnsubscribeLe site de la NLS websiteInscription – Sign up for the Newsletter
NLS Congress 2022
Fixation and Repetition
Argument
Alexandre Stevens
Repetition is one of the four fundamental concepts of psychoanalysis, as set out by Lacan in Seminar XI where, with repetition, he introduced a new mode of the real. To do so, he distinguished it from transference, which the post-Freudians had reduced to being merely the repetition of figures from the past.
As for fixation, it is a Freudian term, which Freud made use of in a rather discreet way and which was never given a significant place in his metapsychology. It was Jacques-Alain Miller, a careful reader of Freud, who gave it a new relevance when he took up the last period of Lacan’s teaching: "jouissance (…) is an event of the body. (…) it is of the order of trauma (…) it is the object of a fixation”. (1) This was not the first time he had drawn upon Freud to propose a way of approaching Lacan’s last teaching. He had already proposed a reading of Inhibition, Symptom and Anxiety in this sense. (2)
Fixierung
I referred to the index of the Gesammelte Werke and found that fixation is a term that appeared for just about the first time in Freud’s work, in 1905, in his “Three Essays on Sexuality”. In the development of sexual life, Freud identifies initial disturbing factors – it being understood that it is disturbed, in varying degrees, for each person. In Freud, these first, constitutional factors are still not very precise. They contain what he calls a “pertinacity” towards the impressions of sexual life. It is this “pertinacity” (3) that he calls a “susceptibility to fixation”.(4) It is in later encounters, made up of “stimulations of infantile sexuality as are experienced accidentally" that this material “can become fixed as a permanent disorder”. (5)
This is the fixation, the elementary structure of which is already present here: there are first factors, revived by a traumatic contingency that produces a fixation in a symptom whose durable element allows us to infer a repetition. “Every step on this long path of development [of sexual life] can become a point of fixation”. (6) What will become clearer later is that these first factors always refer to a drive dimension.
In 1909, in his Five Lectures on Psychoanalysis, in other words his American lectures, he is more precise. Hysterical symptoms are described by him as "residues and mnemic symbols" of traumatic experiences and thus testify to a fixation to traumas. (7) This fixation does not only concern the signifiers of the trauma, the symbols, but also its charge of excitation, i.e., what he calls drive “residues”.
This is even clearer in Lecture XVIII of his Introductory Lectures on Psychoanalysis, which deals precisely with fixation. (8) This 1917 text is post-war, and the link is made here with traumatic neuroses. As in these, the fixation of the libido always occurs at a traumatic moment, and this is sometimes very early. The drive is stopped, inhibited, and fixed at a certain point in development.
Finally, in Analysis Terminable and Interminable, 1937, Freud says the following about the development of the libido: "even in normal development the transformation is never complete and residues of earlier libidinal fixations may still be retained in the final configuration”. (9) For Freud, fixation is thus always linked to the repetition of a particular libidinal trait that has been traumatic, in other words, that has involved the irruption of a real. However, he brings the aim of the analytical experience to a halt at the rock of castration, without going beyond it, without aiming at this point of fixation. It is Lacan who will take the analysis beyond this point to the point of stripping it bare in the Pass, and what the Analysts of the School (A.S.) testify to is indeed this One of jouissance which is this fixation that Freud discovered without ever really addressing. We find this term in a several places in his work, but it should be noted that he never gave it much scope.
Jacques-Alain Miller is the one who connected this fixation with the One of jouissance in the last Lacan, where jouissance is no longer taken up in the dialectic of desire but becomes a purely contingent shock. You will find this development in the fourth and ninth lessons of Being and the One. (10) "What Freud identified is what we formulate as the conjunction between the One and jouissance, a conjunction that makes the libido not susceptible to transformation, metamorphosis, displacement. What we mean by point of fixation is that there is a One of jouissance that always returns to the same place, and it is on this account that we qualify it as real.” (11)
Repetition
Repetition, on the other hand, is a concept that is given an important place in Freud’s work. One of his texts is devoted to it, “Remembering, Repeating and Working Through”. (12) In this text, repetition is linked to transference and constitutes a resistance in the treatment, even aggravating the symptoms. In Freud, the instinctual impulse remains implicit. This is what Lacan reverses, in The Four Fundamental Concepts of Psychoanalysis, when he separates repetition from transference and instead couples repetition with the drive.
And in Beyond the Pleasure Principle, it is repetition compulsion that, according to Freud, puts us on the trail of the death drive on the basis of the repetition of the traumatic element. (13)
However, for Freud, as for Lacan before Seminar XI, repetition is essentially symbolic. The privileged example for this in Lacan’s teaching, is his Seminar on the “Purloined Letter” where it is a syntax that introduces signifying repetition with its automatic character. “[T]his automatism has the value of Freudian memory in the strict sense (…) One could say that at the beginning of his teaching Lacan makes the unconscious only a repetitive sentence that obeys the laws of symbolic determination”. (14) And we can add that this network of alpha, beta, gamma, highlights repetition as the elaboration of a knowledge, S2. (15)
“There is something honest in repetition, something well known”. (16) There is no surprise in it. However, in Seminar XI, Lacan brings in a new kind of repetition. With the Aristotelian couple of tuché and automaton, he in fact introduces a new type of repetition. Here, while automaton is the signifying repetition that obeys the symbolic order, tuché is the irruption of a real, a chance encounter, which does not obey the symbolic order. It is the missed encounter, the one that is not inscribed in signifying repetition. It is what gives the object little a its place and thus opens up a new meaning for the real: the irruption of bits of the real, as bits of jouissance.
The tuché is an “encounter with the real” that “eludes us”, it “is beyond the automaton”, the irruption of a first encounter “behind the fantasy”. (17) It is therefore the repetition of a trauma. It is the real that is the principle of this repetition “that occurs as if by chance”. (18) “Here, already, in this ‘as if by chance’, we have the first indication of what, in his very last teaching, Lacan will bring to light as ‘the real is without law’. It is ‘the real as unassimilable’.” (19)
The Sinthome
Lacan will subsequently link repetition ever more closely to the drive, to the point that in Seminar XVII, The Other Side of Psychoanalysis, “[h]e says that repetition is not thinkable, has no value, except on the basis of jouissance”. (20) And as Miller goes on to clarify: “What Lacan calls ‘knowledge’ in Seminar XVII is the transcription of the Freudian fable of repetition. What he calls knowledge is repetition insofar as it is in relationship with jouissance”. (21) Repetition is thus linked to the surplus jouissance that escapes the operation of the signifier.
But, in Lacan’s last teaching, repetition will find another, even more radical formulation, since it becomes the sinthome itself. There is the One of the signifier all alone, outside the symbolic, which strikes the body and leaves a mark of jouissance there. The sinthome will be the repetition, an iteration, of this mark of jouissance. This is where we meet up with what Freud designated as fixation. We can say that the sinthome is the repetition of a fixation, it is even the repetition + the fixation.
This is the sinthome, written with a t-h, which is the last form of repetition and which we must now be able to read. It is no longer a question of discovering the advent of a signification, but of reading the letter of the event of jouissance that is repeated in the event of the body.
Jacques-Alain Miller has given us the paradigmatic example of this iteration, as a repetition of a new kind, which does not lend itself to interpretation but is articulated to jouissance. I quote from his text “Reading a Symptom”: “This is laid bare in addiction, in the ‘one more drink’ (…) Addiction is the root of the symptom which is made from the reiteration of the same One. It is the same, in the sense that it can’t be added up. One never gets to: ‘I’ve had three drinks, so that’s enough now’. One always downs the same drink, once more. It was in this sense that Lacan said the symptom is an et cetera, the return of the same event.”(22)
So, as you can see, the theme of our next Congress is also, in a sense, a logical continuation of this one.
Translated by Philip Dravers
___________________________________________________________________
[1] Jacques-Alain Miller, L’être et l’Un, lesson 4 (9 February 2011).
[2] Jacques-Alain Miller, Le Partenaire symptôme, lesson of the 3rd and 10th of December 1997.
[3] Freud, S. Three Essays on the Theory of Sexuality, SE VII, p. 242. ‘Pertinacity’ in the English and adhérence in the French, translate the German, Haftbarkeit, G.W. V, p. 144.
[4] Ibid.
[5] Ibid.
[6] Ibid. p. 235.
[7] SE XI, p. 16.
[8] Freud, S., “Lecture XVIII: Fixation to Traumas—the Unconscious”, SE XVI, p. 273-285.
[9] Freud, S., “Analysis Terminable and Interminable”, SE XXIII, p. 229.
[10] Miller, J.-A., L’Être et l’Un, lesson 4 of 9th February 2011 and lesson 9 of 30th March 2011 (unpublished).
[11] Miller, J.-A., L’Être et l’Un, lesson 9 of the 30th March 2011 (unpublished).
[12] Freud, S., “Remembering, Repeating and Working Through”, SE XII, pp.145-156.
[13] Freud, S., “Beyond the Pleasure Principle”, SE XVIII, p.1-64.
[14] Miller, J.-A., “Transference, Repetition and the Sexual Real”, Psychoanalytical Notebooks 22 (2011), p. 11-12. Cf. NLS Messager 14: http://ampblog2006.blogspot.com/2011/01/14-20102011-en-towards-london-1-vers.html
[15] Miller, J.-A., “Le Partenaire Symptôme”, lesson of 6th May 1998 (unpublished).
[16] Miller, J.-A., “La fuite du sens” lesson of 20th March 1996 (unpublished).
[17] Lacan, J., The Four Fundamental Concepts of Psychoanalysis (London, Penguin, 1977), p. 53-54.
[18] Ibid. p. 54.
[19] Miller, J.-A. L’Être et l’Un, lesson of 15. 3. 1995, Quarto 121 (2019) p. 17
[20] Miller, J.-A. “Transference, Repetition and the Sexual Real” op. cit. p. 17 (or online, see previous).
[21] Ibid.
[22] Miller, J.-A., “Reading a Symptom”, Hurly-Burly 6 (2011), p. 152.
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NLS Congress 2022
Fixation and Repetition
Argument
Alexandre Stevens
Repetition is one of the four fundamental concepts of psychoanalysis, as set out by Lacan in Seminar XI where, with repetition, he introduced a new mode of the real. To do so, he distinguished it from transference, which the post-Freudians had reduced to being merely the repetition of figures from the past.
As for fixation, it is a Freudian term, which Freud made use of in a rather discreet way and which was never given a significant place in his metapsychology. It was Jacques-Alain Miller, a careful reader of Freud, who gave it a new relevance when he took up the last period of Lacan’s teaching: "jouissance (…) is an event of the body. (…) it is of the order of trauma (…) it is the object of a fixation”. (1) This was not the first time he had drawn upon Freud to propose a way of approaching Lacan’s last teaching. He had already proposed a reading of Inhibition, Symptom and Anxiety in this sense. (2)
Fixierung
I referred to the index of the Gesammelte Werke and found that fixation is a term that appeared for just about the first time in Freud’s work, in 1905, in his “Three Essays on Sexuality”. In the development of sexual life, Freud identifies initial disturbing factors – it being understood that it is disturbed, in varying degrees, for each person. In Freud, these first, constitutional factors are still not very precise. They contain what he calls a “pertinacity” towards the impressions of sexual life. It is this “pertinacity” (3) that he calls a “susceptibility to fixation”.(4) It is in later encounters, made up of “stimulations of infantile sexuality as are experienced accidentally" that this material “can become fixed as a permanent disorder”. (5)
This is the fixation, the elementary structure of which is already present here: there are first factors, revived by a traumatic contingency that produces a fixation in a symptom whose durable element allows us to infer a repetition. “Every step on this long path of development [of sexual life] can become a point of fixation”. (6) What will become clearer later is that these first factors always refer to a drive dimension.
In 1909, in his Five Lectures on Psychoanalysis, in other words his American lectures, he is more precise. Hysterical symptoms are described by him as "residues and mnemic symbols" of traumatic experiences and thus testify to a fixation to traumas. (7) This fixation does not only concern the signifiers of the trauma, the symbols, but also its charge of excitation, i.e., what he calls drive “residues”.
This is even clearer in Lecture XVIII of his Introductory Lectures on Psychoanalysis, which deals precisely with fixation. (8) This 1917 text is post-war, and the link is made here with traumatic neuroses. As in these, the fixation of the libido always occurs at a traumatic moment, and this is sometimes very early. The drive is stopped, inhibited, and fixed at a certain point in development.
Finally, in Analysis Terminable and Interminable, 1937, Freud says the following about the development of the libido: "even in normal development the transformation is never complete and residues of earlier libidinal fixations may still be retained in the final configuration”. (9) For Freud, fixation is thus always linked to the repetition of a particular libidinal trait that has been traumatic, in other words, that has involved the irruption of a real. However, he brings the aim of the analytical experience to a halt at the rock of castration, without going beyond it, without aiming at this point of fixation. It is Lacan who will take the analysis beyond this point to the point of stripping it bare in the Pass, and what the Analysts of the School (A.S.) testify to is indeed this One of jouissance which is this fixation that Freud discovered without ever really addressing. We find this term in a several places in his work, but it should be noted that he never gave it much scope.
Jacques-Alain Miller is the one who connected this fixation with the One of jouissance in the last Lacan, where jouissance is no longer taken up in the dialectic of desire but becomes a purely contingent shock. You will find this development in the fourth and ninth lessons of Being and the One. (10) "What Freud identified is what we formulate as the conjunction between the One and jouissance, a conjunction that makes the libido not susceptible to transformation, metamorphosis, displacement. What we mean by point of fixation is that there is a One of jouissance that always returns to the same place, and it is on this account that we qualify it as real.” (11)
Repetition
Repetition, on the other hand, is a concept that is given an important place in Freud’s work. One of his texts is devoted to it, “Remembering, Repeating and Working Through”. (12) In this text, repetition is linked to transference and constitutes a resistance in the treatment, even aggravating the symptoms. In Freud, the instinctual impulse remains implicit. This is what Lacan reverses, in The Four Fundamental Concepts of Psychoanalysis, when he separates repetition from transference and instead couples repetition with the drive.
And in Beyond the Pleasure Principle, it is repetition compulsion that, according to Freud, puts us on the trail of the death drive on the basis of the repetition of the traumatic element. (13)
However, for Freud, as for Lacan before Seminar XI, repetition is essentially symbolic. The privileged example for this in Lacan’s teaching, is his Seminar on the “Purloined Letter” where it is a syntax that introduces signifying repetition with its automatic character. “[T]his automatism has the value of Freudian memory in the strict sense (…) One could say that at the beginning of his teaching Lacan makes the unconscious only a repetitive sentence that obeys the laws of symbolic determination”. (14) And we can add that this network of alpha, beta, gamma, highlights repetition as the elaboration of a knowledge, S2. (15)
“There is something honest in repetition, something well known”. (16) There is no surprise in it. However, in Seminar XI, Lacan brings in a new kind of repetition. With the Aristotelian couple of tuché and automaton, he in fact introduces a new type of repetition. Here, while automaton is the signifying repetition that obeys the symbolic order, tuché is the irruption of a real, a chance encounter, which does not obey the symbolic order. It is the missed encounter, the one that is not inscribed in signifying repetition. It is what gives the object little a its place and thus opens up a new meaning for the real: the irruption of bits of the real, as bits of jouissance.
The tuché is an “encounter with the real” that “eludes us”, it “is beyond the automaton”, the irruption of a first encounter “behind the fantasy”. (17) It is therefore the repetition of a trauma. It is the real that is the principle of this repetition “that occurs as if by chance”. (18) “Here, already, in this ‘as if by chance’, we have the first indication of what, in his very last teaching, Lacan will bring to light as ‘the real is without law’. It is ‘the real as unassimilable’.” (19)
The Sinthome
Lacan will subsequently link repetition ever more closely to the drive, to the point that in Seminar XVII, The Other Side of Psychoanalysis, “[h]e says that repetition is not thinkable, has no value, except on the basis of jouissance”. (20) And as Miller goes on to clarify: “What Lacan calls ‘knowledge’ in Seminar XVII is the transcription of the Freudian fable of repetition. What he calls knowledge is repetition insofar as it is in relationship with jouissance”. (21) Repetition is thus linked to the surplus jouissance that escapes the operation of the signifier.
But, in Lacan’s last teaching, repetition will find another, even more radical formulation, since it becomes the sinthome itself. There is the One of the signifier all alone, outside the symbolic, which strikes the body and leaves a mark of jouissance there. The sinthome will be the repetition, an iteration, of this mark of jouissance. This is where we meet up with what Freud designated as fixation. We can say that the sinthome is the repetition of a fixation, it is even the repetition + the fixation.
This is the sinthome, written with a t-h, which is the last form of repetition and which we must now be able to read. It is no longer a question of discovering the advent of a signification, but of reading the letter of the event of jouissance that is repeated in the event of the body.
Jacques-Alain Miller has given us the paradigmatic example of this iteration, as a repetition of a new kind, which does not lend itself to interpretation but is articulated to jouissance. I quote from his text “Reading a Symptom”: “This is laid bare in addiction, in the ‘one more drink’ (…) Addiction is the root of the symptom which is made from the reiteration of the same One. It is the same, in the sense that it can’t be added up. One never gets to: ‘I’ve had three drinks, so that’s enough now’. One always downs the same drink, once more. It was in this sense that Lacan said the symptom is an et cetera, the return of the same event.”(22)
So, as you can see, the theme of our next Congress is also, in a sense, a logical continuation of this one.
Translated by Philip Dravers
___________________________________________________________________
[1] Jacques-Alain Miller, L’être et l’Un, lesson 4 (9 February 2011).
[2] Jacques-Alain Miller, Le Partenaire symptôme, lesson of the 3rd and 10th of December 1997.
[3] Freud, S. Three Essays on the Theory of Sexuality, SE VII, p. 242. ‘Pertinacity’ in the English and adhérence in the French, translate the German, Haftbarkeit, G.W. V, p. 144.
[4] Ibid.
[5] Ibid.
[6] Ibid. p. 235.
[7] SE XI, p. 16.
[8] Freud, S., “Lecture XVIII: Fixation to Traumas—the Unconscious”, SE XVI, p. 273-285.
[9] Freud, S., “Analysis Terminable and Interminable”, SE XXIII, p. 229.
[10] Miller, J.-A., L’Être et l’Un, lesson 4 of 9th February 2011 and lesson 9 of 30th March 2011 (unpublished).
[11] Miller, J.-A., L’Être et l’Un, lesson 9 of the 30th March 2011 (unpublished).
[12] Freud, S., “Remembering, Repeating and Working Through”, SE XII, pp.145-156.
[13] Freud, S., “Beyond the Pleasure Principle”, SE XVIII, p.1-64.
[14] Miller, J.-A., “Transference, Repetition and the Sexual Real”, Psychoanalytical Notebooks 22 (2011), p. 11-12. Cf. NLS Messager 14: http://ampblog2006.blogspot.com/2011/01/14-20102011-en-towards-london-1-vers.html
[15] Miller, J.-A., “Le Partenaire Symptôme”, lesson of 6th May 1998 (unpublished).
[16] Miller, J.-A., “La fuite du sens” lesson of 20th March 1996 (unpublished).
[17] Lacan, J., The Four Fundamental Concepts of Psychoanalysis (London, Penguin, 1977), p. 53-54.
[18] Ibid. p. 54.
[19] Miller, J.-A. L’Être et l’Un, lesson of 15. 3. 1995, Quarto 121 (2019) p. 17
[20] Miller, J.-A. “Transference, Repetition and the Sexual Real” op. cit. p. 17 (or online, see previous).
[21] Ibid.
[22] Miller, J.-A., “Reading a Symptom”, Hurly-Burly 6 (2011), p. 152.
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