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Lacanian Compass 


5 May 2024


Reading Seminar

 

Jacques-Alain Miller’s Analysis Laid Bare




with Véronique Voruz




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SPÉCIAL CONGRÈS  19

CONGRESS SPECIAL 19

CONGRÈS NLS – NLS CONGRESS
DUBLIN 2024

11-12 mai – May 2024


Plus que 24 heures pour vous inscrire !
Just 24 hours to register! 

Ne manquez pas la date limite pour une inscription en présence :
demain, vendredi 3 mai, à minuit, heure de Bruxelles 

Don't miss the deadline for attending the Congress in person:
tomorrow, Friday 3 May, at midnight Brussels time

Attention ! 
Les personnes inscrites pour une participation en présence ne recevront pas de lien Zoom.
 Please note! 
People who register to take part in person will not
receive a Zoom link to connect to the congress

 

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 Inscription Zoom

Zoom registration 


Date limite : mercredi 8 mai, à minuit, heure de Bruxelles 
Deadline: Wednesday 8 May, at midnight Brussels time
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The Gaze in the Feminine



Sequence 3

Seduction, Modesty and Masquerade: The Gaze in the Feminine

Sunday 12 May 11:05 – 12:15 

Sequence chaired by Patricia Bosquin-Caroz, with :

 

Laure Naveau – Beauty and Gaze
Nathalie Laceur – Masks of the Feminine
Neus Carbonell – Lure and Seduction

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The Gaze in the Feminine


The point here is not to consider the female gaze
as the reverse of the male gaze, but to approach the gaze in its
relationship to the feminine and the function of the screen.

Lacan isolated the function of the screen as the place
of mediation beyond which there is the gaze. Without it, the gaze would
transfix us in the way a rabbit might be caught in the headlights of a car. So,
women know better than anyone else how to play with the screen, the place of
deception, of the mask, of the veil and therefore of semblance. The screen,
like beauty, traps the gaze or soothes the insatiable eye, but it is also a
bulwark against the reality of castration, which cannot give itself to be seen
without crossing the boundaries of modesty. 

We will consider the theme of the
gaze in the feminine, based on three presentations: by Neus Carbonell, Laure
Naveau and Nathalie Laceur. 
They will deal with seduction, masquerade, and
beauty.

 

Patricia Bosquin-Caroz

Vice-president of the NLS

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SPÉCIAL CONGRÈS  17

CONGRESS SPECIAL 17



Traduction simultanée anglais – français 
Simultaneous translation French – English

PROGRAMME OF THE PLENARY HALL

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CAPSULE 9 – COUNTDOWN
(SPACE EDIT)

Coup d'œil sur le Congrès / 
Glimpse at the Congress
Here is the 9th in a series of short videos or "capsules" towards the 
XXII Congress of the NLS which will take place in Dublin on the 11-12 May 2024. 

Voici la 9ème d'une série de courtes vidéos ou « capsules » en vue du 
XXIIe Congrès de la NLS qui aura lieu à Dublin les 11 et 12 mai 2024

https://youtu.be/DpkwrL6vRdg


Watch the video and subscribe to our channel! / 
Regardez la vidéo et abonnez-vous à notre chaîne !

You can also find this video on the Blog / Vous pouvez également trouver cette vidéo sur le blog !

In person  / en presence 
or / ou
 Videoconference / visioconférence

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« Ce schéma [optique] rend clair […] que là où le sujet se voit, à savoir où se forge cette image réelle et inversée de son propre corps qui est donné dans le schéma du moi, ce n’est pas là d’où il se regarde. Mais certes, c’est dans l’espace de l’Autre qu’il se voit, et le point d’où il se regarde est lui aussi dans cet espace. »
Lacan, J., Le Séminaire, Livre XI, Les quatre concepts fondamentaux de la psychanalyse, texte établi par J.-A. Miller, Paris, Seuil, 1973, p. 132.
 

"This schema makes clear […] that where the subject sees himself, namely, where that real, inverted image of his own body that is given in the schema of the ego is forged, it is not from there that he looks at himself. But, certainly, it is in the space of the Other that he sees himself and the point from which he looks at himself is also in that space."
Lacan, J., The Four Fundamental Concepts of Psychoanalysis: The Seminar of Jacques Lacan, Book xi, ed. Jacques-Alain Miller, trans. A. Sheridan (New York: Norton, 1977), 144.

La schize de l’œil et du regard, un prolongement du stade du miroir
Bernard Seynhaeve

« Pour avoir un corps en tant que forme, il faut le reconnaître comme soi, se voir dans le miroir et pouvoir se dire « c’est moi ». Mais pour se reconnaître dans le miroir, il faut préalablement être vu par l’Autre […] que l’Autre le nomme : « c’est toi ». Dans ce Séminaire XI, avec la schize de l’œil et du regard, Lacan prolonge ainsi son stade du miroir. »

Lire …

 Emily Dickinson, to Tear the Veil
 Vera Patia

“Her seclusion, her choice to hide from the gaze, was another way to avoid being seen, in a way that the speaking body could not tolerate; a speaking body whose veil is torn, faced with a jouissance outside the symbolic, having no dignity or self. Her art accompanied her experience of what it is to have a body in a world without access to the masquerade.

Read …

 Ce qui nous regarde
 Elfi Lefeuvre

« […] le rapport de cette anecdote avec Freud et moi laisse ouverte la question d’où je me place dans ce couple. Eh bien, rassurez-vous, je me place toujours à la même place, à celle où je reste encore vivant. Freud n’a pas besoin de me voir pour qu’il me regarde. »

Lire …


The deadline for submitting texts for the blog has passed. Thanks to all contributors!

La date limite de soumission des textes pour le blog est dépassée.
Merci à tous les contributeurs !

 

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Lacan Circle of Australia


26, 27, 28 April – Melbourne

 

Clinical Study Days


 

Clinic of the Gaze 

Diagnosis in the Clinic

Destinies of Fantasy and Passages to the Act in Adolescence


 
with Frank Rollier


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The Gaze as Object of Jouissance

Sequence 2

The Gaze, Object of Jouissance

Saturday 11 May 11:30 – 12:30 


Sequence chaired by Jean Luc Monnier, with:

 

Florencia F.C. Shanahan: The Gaze, Remains

Cyrus Saint Amand Poliakoff: In Search of Losing Time


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The gaze runs through the teaching of psychoanalysis. Freud identified its prevalent role in the drive very early on, notably in his “Three Essays on Sexuality” in the chapter entitled "Touching and Looking”. Lacan would give it its full scope from Seminar X onwards. He makes it one of the objects a that he adds, along with the voice, to the list of Freudian objects. But it was in Seminar XI that he gave an essential and paradigmatic place to the object gaze, which then took on its full force as a drive object.

In his excellent presentation of the Congress theme, Daniel Roy entitled his final paragraph: "The gaze as enjoying substance added to the world" and specifically mentions these screens, which in all their forms, now always within view, have opened up new avenues of unabated jouissance for the modern subject: the augmented Panopticon! But these screens are also like blind gazes, like the lid of the sardine can alluded to by Petit Jean in Seminar XI, which assign us to our place, as a blot, a stain, in a picture of which we are also the spectators.

 

Jean Luc Monnier

NLS Treasurer

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