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Initiative Toronto

15 May – via Zoom

Seminar
The Logical Form of the Body
 with Veronique Voruz

Time: 12 pm – 2 pm (Toronto Time)

Free and open to all

Registration: https://us02web.zoom.us/meeting/register/tZYsdOqorzwqE9VY6sV71i6cLcAli8nCFvjM

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"Writing is a trace in which an effect of language can be read"
— Lacan, XX, 121



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NLS Congress presents

Stijn Vanheule
The Flesh and lalangue: our Parasites

In 1997 Berlinde De Bruyckere made a series of drawings entitled “parasite”. They show us a bent over woman who is probably pregnant. Long hair veils her face. All kinds of black, skin-colored and blood-red tentacles rise ostentatiously from the bottom. These hook onto scars and appear to be entwined with her organism. Some tentacles resemble a spider's hairy legs. Others are like blood vessels perforating the boundary of the skin and merging with the substance of her body.

A parasite is an organism that feeds on other living organisms, like a tick in a dog's coat. As De Bruyckere uses this term, the question is which parasite is attacking that woman. In an interview the artist connects the idea of being inhabited by a parasite with pregnancy and refers to the fear she felt during her first own pregnancy.

Without realizing it, she thus formulates a very Lacanian remark. Lacan argues that an embryo has a parasitic bond with the mother, which is physically broken at birth, causing physical malaise in the baby. De Bruyckere's drawings demonstrate that similarly pregnancy causes malaise in a woman. Apart from the hormonal adjustments, she is then faced with the challenge of situating the parasitic intrusion of a new life in the space of her own body. Usually, this coexistence becomes livable by identifying with motherhood. In other words, an answer is needed in response to such parasitic intrusion.
 
Lacan's later ideas about the link between language, body and physicality especially revolve around finding an adequate response to the parasitic intrusions we all encounter. Take his Séance de clôture from 1975, which we studied in our cartel. There he states that we should regard a human being as a thinking thing or res cogitans. Where in the 1950s and 1960s he emphasized that thinking obeys the logic of the signifier and thus of the signified unconscious, in Scéance, as well as in other contributions from the seventies, he accentuates the material character of the res cogitans. The thinking thing is a substance, and this substance escapes the mind-body opposition (res cogitans versus res extensa). Lacan puts it this way: “what we strive for is to let that notion of the thinking substance enter a real”.
 
With the notion of "thinking substance" Lacan posits that our signified being is linked to a real physicality, which can also be distinguished from the body as an imaginary spatial representation. To think of this physicality, according to Lacan (still in his Séance de clôture), we must free ourselves from the thought that "life" needs to be considered in opposition to the term "death."
 
In Lacan's logic, "life" is nothing more than a cyclical process revolving around a hole. Viewed from the Real, man is a lump of senseless trembling flesh with holes in it – the holes of the body orifices – where precisely the trembling of the flesh evokes a jouissance that is parasitic to body image. Parasitic because this jouissance is experienced as internal, but not as 'own'. It must be appropriated, and to the extent that it fails, anxiety arises.
 
 

parasitizing
I   body  —————————->   R   flesh

 
 
Perhaps that is precisely why a pregnancy can evoke a parasitic experience in a woman: a new life in your body makes it clear that your own living body has always been vibrating and trembling without the will having much of an impact on it.
 
It does not stop there, this living flesh is itself not autonomous either. Its substance is linked with lalangue. Words parasitize our organism, which Lacan expresses with his term "speaking body" (corps parlant).
 

 

parasitizing
R   flesh  —————————->   S   lalangue

 

In L’inconscient et le corps parlant Miller (p. 56) writes the following about this speaking body: "It is a reminder that the signifying chain, which we decipher in a Freudian way, is connected to the body and consists of enjoying substance."
 
In other words, to the extent that signifiers are letters and have a meaningless lalangue character, their use parasitizes the body. Lalangue is an out-of-body organism that bites into living flesh. Speaking therefore functions as an enjoyment circuit that affects the body with its sounds. Conversely, the excitation of the flesh also vibrates in how we handle the signifier. This, Lacan and Miller argue, is the real of the unconscious.
 
To limit both forms of parasitization, people usually incorporate their speaking body into the field of images and meanings. Two tracks thus open up spontaneously: debility and delusion. Debility means that one comes to believe in “the imaginary of the body and the imaginary of meaning” (Miller, p. 58). Delusion involves the belief that the Real is signifiable. Debility and delusion make us deaf to the parasitization by language.
 
Lacan illustrates this dynamic in his 24th seminar (meeting March 8) with the example of his grandson Luc. One day little Luc tells him that he is trying to use words that he does not understand. What's more, he believes that is precisely why he has a big head. Lacan points out that the boy, like him, actually does have a big skull, but that is not the crux of the story. The point is that little Luc links this particular image of his head to the proliferation of misunderstood words. It shows that he uses everyday delusion to limit the parasitic experience of language. It is a form of identification with which he responds to an intrusion.
 
The third track, next to debility and delusion to deal with parasitization through the flesh and lalangue, is through being duped by the Real. This can be done, among other things, by naming the meaningless jouissance that marks our life. I read Berlinde De Bruyckere's drawings as a kind of such naming or presenting a real jouissance. They make jouissance singularly present without it being completely particularisable in the field of meaning and language.
 

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Material | Body – The Body in Contemporary Art

"Writing is a trace in which an effect of language can be read"
— Lacan, XX, 121



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NLS Congress presents

Paulina Tanterl
Material | Body – The Body in Contemporary Art 

When we talk about the body, the body and furthermore the body-event we first have to get a glimpse of what kind of body we’re talking about and what this body is associated with.
 
The artist can use his body as a tool to access material but not exclusively in a performative way. One has to carefully decide, consider and abolish in order to figure out more about the material he chooses to work with. With material we form a structure, we create. It’s a physical thing. Material as form. Figuratively we refer to material as the base of ideas or concepts, the subject matter. Something we express through words. Material as content.
 
This is why the material the artist works with implies not exclusively the solid physical form but even more so the process of reflection, choices, rejection and resumption. This process is the alliance the artist builds with the material. The material functions as an extension of the body. Like a prosthesis which extends the physical but also the mental/intellectual capacity of the artist. But besides these well elaborated steps there’s also the need for a breaking point, a detachment from any preset concept and transgression into something bodily, something which happens spontaneously.
 
What about owning the material? What happens to the “material-prosthesis” after an exhibition for example? Ultimately, the artist only will be able to claim his ownership of the material after undergoing the process of working with it. Only with intense dedication, with persistence, sometimes even obsession and only through the process of trial and error the artist is able to make his material processable and maybe even accessible, too. It is precisely the examination of the material – the trial and error – which ultimately defines the artistic process and progress: The bodily experience of improvisation.

 

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INTERVIEW WITH BERLINDE DE BRUYCKERE

At the Congress of the NLS


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Stijn Vanheule talks with Berlinde De Bruyckere about her oeuvre and new works.

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TRACES

Stijn Vanheule on the drawings of Berlinde De Bruyckere


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https://www.hauserwirth.com/artists/2782-berlinde-de-bruyckere?modal=media-player&mediaType=artwork&mediaId=27167&browseMedia=true

To know more about her oeuvre: https://www.hauserwirth.com/artists/2782-berlinde-de-bruyckere

New exhibition: https://www.bonnefanten.nl/en/exhibitions/berlinde-de-bruyckere?set_language=en.


TRACES

Stijn Vanheule on the drawings of Berlinde De Bruyckere



Register HERE!

 

Registrations will be closed on Friday 21th of May 9 p.m. (Brussels/Paris Time)

  

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Pendant le Congrès de la NLS 2021

Effets corporels de la langue


During the Congress of the NLS 2021

Bodily Effects of Language

 
La question Trans – The Trans Question 
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Le lien Zoom pour le congrès sera envoyé la veille du congrès

 The  Zoom link for the congress will be sent in the evening before the congress

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Les inscriptions seront fermés le vendredi 21 mai, 21h (Bruxelles/Paris)  


Registrations will be closed on Friday 21th of May 9 p.m. (Brussels/Paris Time)

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"Writing is a trace in which an effect of language can be read"
— Lacan, XX, 121



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NLS Congress presents

Thomas Svolos
Excerpt

An excerpt from: Thomas Svolos, The Aims of Analysis: Miami Seminar on the Late Lacan (New York: Midden Press, 2020), pages 31-36.
 
The following exchange occurred during a Seminar on “The Aims of Analysis” presented by Thomas Svolos in Miami Beach, Florida, on October 26, 2019, at the invitation of Lacanian Compass Miami.
 
Isolda Alvarez Arango: Okay, I have something. I don’t know if it is a question or a comment, but this is the thing. About the delusion thing—what about the body? The jouissance and type of signifiers that are, like you said, the mathemes, signifiers in the real. When you have the mathemes, you have signifiers in the real, because there is no meaning attached to it. It is just the place they are occupying and probably the relationship that they have with one another, right? But there is not a meaning attached to each one of them. So, what you said about jouissance and the body, the body event like you were talking the other day in the lecture. Can we still talk about delusion? And I know that there is a whole pragmatic thing about the use, but in this context, we are discussing this meaning of this word.


[1] See, for example, Fredric Jameson, The Antimonies of Realism, London, Verso, 2013, especially chapter 2.

 

Thomas Svolos: I think my first approach to that would be: if you think about the experience of a body event, it is without meaning. It is real. There is something. It is anguish. And, when you talk about it, give it your attention, as Miller says, you put meaning to it, then the body event is gone in a sense.
 
Arango: You’ve grasped it.
 
Svolos: You have taken hold of it. I believe that you can almost say that the body event is the moment of an apprehension of the body as real. I would say that. I would say that the body event, for an individual, a body event does not concern the imaginary body, that one can look at, but it is also not the mortified or symbolic body, right? Because the symbolic body has been named. All the parts have been named. We know how they work. There is an order to it. As you know, it is a named body. I think a body event, at least the moment of apprehension of the body event, prior to giving it meaning, is of the order of the real, and it is the real of the body. It is a moment, it is a temporal thing.

Alicia Arenas: It is a manifestation of pure jouissance of the body, with no meaning.
 
Svolos: Yes. Exactly.
 
Alvarez Arango: But a little jouissance, I am not so sure that we can still talk about delusion, like the one that we are talking about.
 
Svolos: No. Because a delusion involves the symbolic. That said, when you start to speak about it and it enters into the symbolic, then we might say that it is captured in a delusion, the delusional words one attaches to it.
 
Juan Felipe Arango: What you say about it is always a delusion. That is a delusion. What you say about it. But not the event itself. You must say something, you have to say something
or write something down. It is always an approximation. It is not correct. Even the mathematical formula, it is an approximation, it is not the object.
 
Alvarez Arango: The object itself.
 
Arango: And I want to add something. On this particular point, psychoanalysis has gone farther than any other discourse. And, that is not the issue, because science does not recognize that it has a deficit or that they are doing a kind of demonstration in the treatment of truth in science. Even if they know that it is no longer a problem in math, when they apply it, it becomes a belief. That is why maybe in Seminar XXIV, in Joyce the Sinthome, Lacan talks about thinking, the process of thinking, rationality, and how the thinking process itself is an obstacle to arrive at that point, because it is part of the symbolic, we have thoughts in signifiers. Only psychoanalysis, let’s say, is very biased or very aware, that this is a delusional practice. It is an irony, because it is to wake up the analyst in a certain way to say that we are delusional, but also because the other fields are very delusional, I am not talking about religion, but science itself.
 
Svolos: I would agree.
 
Just to go back to the issue of the body. For those of you who practice, think of schizophrenia. It is obvious that the schizophrenic appreciation of the body is very different. The body is less symbolized and thus less mortified. The strength of the symbolic on the body is often weaker and so the individual has a body that, in a sense, is more real. The different kinds of phenomena that someone with schizophrenia talks about regarding their body are very interesting, and it is very different, and I would say it is the real. It is another way of thinking about the question of the body, because the body is experienced in a very different way than the classical neurotic body.
 
Unknown participant: And if I am not mistaken, Lacan is one of the first to actually give place to those delusions saying, okay, you kind of can try to understand psychosis from what they try to say what their delusions are. From my short clinical experience, when psychotics try to explain their delusions and hallucinations, it has a better prognosis than it would if they cannot actually try to make sense and tie a knot around what is becoming the consequence of encountering that real and not having the ability to symbolize it, even though none of us really can symbolize it, because it goes beyond what we can name.
 
Svolos: Yes. I think the essence of schizophrenia, in that regard, is a disconnection and the practice is often about making connections. The schizophrenic may use the analytic experience to build a symbolic framework, which may have a delusional quality to it, but nonetheless, it is a symbolic framework that is stabilizing for the schizophrenic. It is very helpful connecting the dots.
 
Arenas: Related to these events, the body events, it is important to differentiate them from the conversions. Because conversions do disappear completely, as they are made of chains of language, they belong to the symbolic body. The body event, instead, belongs to the real body, with the interventions of the analyst, they may change in intensity, in force, but do not disappear completely.
 
Svolos: Right, it is true . . . I think you are right. Because a classical conversion symptom is a return of the repressed. A repressed signifier. It is the action of the signifier on the body, and if you can put that into the symbolic order and it is no longer repressed, it does disappear completely. And, this distinction shows the difference between the action of the signifier on the body and, with a definition you could almost use about what a body event is, the action of the real on the body or something like that. I don’t know, it sounds funny, not exactly right, as in a sense the real is always in the body, not acting on it.
 
Arenas: It is exactly that, it doesn’t come from the repressed, it is a direct mark of jouissance on the body.
 
Svolos: Yes, and the other thing about it that is interesting is that conversion symptoms generally are very specific. They are localizable . . .
 
Alvarez Arango: They are fixed.
 
Svolos: Fixed, yes. A body event, in as much as it has something to do with the real, it does not exist. So, it comes from a place, it is like some kind of . . .
 
Alvarez Arango: Opaque?
 
Svolos: Yes, it is an opaque experience, to use again that word opaque. Body events tend to be less localized. It is more of an ambience almost, although that word has the wrong temporality.
 
And, curiously, this binary of conversion symptom and body event has interesting echoes in other fields. I am thinking here of affect theory and the work that Fredric Jameson has done on the distinction between what he calls “named emotion” and “affect” in art. There are some distinctive shared characteristics between these subjective phenomena and some artistic phenomena. [1]

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It (in) scribes

"Writing is a trace in which an effect of language can be read"
— Lacan, XX, 121





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NLS Congress presents

Julio Garcia Salas
It (in) scribes [1]

To be accepted as a member of the NLS involved joy for being inscribed as part of the School.  In addition, I felt a responsibility for doing something with this inscription subjectively for it to take place.  An almost immediate invitation to write something for the congress blog “The Bodily Effects of Language” reminded me again of this responsibility.  At this briefly anguishing moment, a phrase of Lacan’s from Seminar 10 came to mind which gave meaning to my experience. It reminded me that language has effects on the body and that it is regarding our use of language that allows us to use the body or not.

“As for the little boy, the poor mug, he looks down at the problematic little tap.  He vaguely suspects that something’s odd down there.  Then, he has to learn, and to his cost, that what he’s got there doesn’t exist, I mean, up against what dad’s got, what the big brothers have got, and so on.  You’re familiar with the whole initial dialectic of comparison.  Next, he will learn that not only does it not exist, but that it doesn’t want to know anything, or more precisely that it does as it pleases.  To spell it out, he will have to learn step by step, through his individual experience, to strike it off the map of his narcissism, precisely so that it can start to be useful.” [2]

From this phrase of Lacan’s, it has become clear to me that it is necessary to lose the body (not to be the body) in order to inhabit it, and to be able to use it even though it is still not a guarantee that it will let itself be used in the way that we want.  This “phallic” reading of the body didn’t disappear but became more complicated in Lacan’s later teachings, as the connection to the body has a direct relationship to “jouissance.”  It is here that my experience began many years ago as an analysand, and continues now as a member of our School.
 
Reviewed by Caroline Heanue

[1] in Spanish the title is “Es(ins)cribir” from “escriber” to write, it(in)scribes.
[2] Lacan, J. (2014).  Anxiety, The Seminar of Jacques Lacan, Book X, Ed.  J.-A. Miller, Transl by A. Price. Polity Press, Cambridge, p.202.

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Pendant le Congrès de la NLS 2021

Effets corporels de la langue

During the Congress of the NLS 2021

Bodily Effects of Language



Habiller le corps parlant   

To Clothe the Speaking Body 

 avec – with 

Daniel Roy, Abe Geldhof & Glenn Strubbe

La robe de Jana.jpg

Must-read! / À lire absolument :


TRACES

Réginald Blanchet: Strip-tease



Le lien Zoom pour le congrès sera envoyé la veille du congrès

 The  Zoom link for the congress will be sent in the evening before the congress


Register HERE – Inscrivez-vous ICI!

 

Les inscriptions seront fermés le vendredi 21 mai, 21h (Bruxelles/Paris)  

Registrations will be closed on Friday 21th of May 9 p.m. (Brussels/Paris Time)


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 New Lacanian School

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Pendant le Congrès de la NLS 2021

Effets corporels de la langue

During the Congress of the NLS 2021

Bodily Effects of Language


Marina Abramović

 Temps II  / Second Act : Restless, Limitless

with / avec 

Joost Demuynck & Ruzanna Hakobyan


Conversation with M. Abramović on 20th of May  – online :

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Le lien Zoom pour le congrès sera envoyé la veille du congrès

 The  Zoom link for the congress will be sent in the evening before the congress


Register HERE – Inscrivez-vous ICI!

 

Les inscriptions seront fermés le vendredi 21 mai, 21h (Bruxelles/Paris)  

Registrations will be closed on Friday 21th of May 9 p.m. (Brussels/Paris Time)


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A
NEW SITE FOR THE NLS!

 

The same address

www.amp-nls.org

 

A new logo

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DIVERSITY OF A SCHOOL OF PSYCHOANALYSIS

 

5 affiliated Societies

 6 affiliated Groups

 4 associated Groups

7 Initiatives

 

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In the Lacanian orientation

with the World Association of Psychoanalysis and the EuroFederation of Psychoanalysis


  In the School One  

with a compass: the Pass

 

 

DIVERSITY OF COUNTRIES … DIVERSITY OF LANGUAGES

 

 

In the NLS, we speak and publish in English and French, the official languages.

But also in Greek, Bulgarian, German, Danish, Polish, Dutch, Portuguese, Russian,

 Ukrainian, Albanian, Hewbrew:


Publications of the NLS: The Lacanian Review Lacanian Review Online

Publications of the Societies and Groups

Translations of Lacan’s Seminars and Écrits

New publications in the WAP


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Cross-referenced bibliographies EN / FR 

Écrits and seminars of J. LACAN

 Published texts of J.-A. MILLER

 

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DIVERSITY OF KNOWLEDGE

 

Confronting one's non-knowledge, with others

THE CARTELS

Exchange

THE CONGRESS, THE “KNOTTINGS SEMINARS” 

Debate

QUESTIONS OF THE SCHOOL

Clinical formation

CONNECTIONS

with the Clinical Sections and the networks of the freudian Field

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