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Il y a de l’impossible et non pas de l’un-possible

Vicky Koutoulea

 

Présence sur fond d’absence, nous dit Lacan, pour souligner que « cette place vide n’est pas à combler ». L’espace entre les deux partenaires permet principalement à la parole d’émerger. D’ailleurs, « c’est parce que deux êtres ne peuvent pas s’unir entièrement qu’ils parlent ». 

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Duelar

Isolda Arango-Alvarez

This is the moment I define as the face of painful love in transference. What is the turning point of this duelar at the end of an analysis? Even though we know it is contingent and that exits from analysis are singular and unique, I propose that this duelar marks a turning point in transference — that is never reduced to zero but instead shifts and becomes attached to the institution, to the School.



To say ‘The ethics of psychoanalysis, today’ supposes the decisive contribution made by Jacques-Alain Miller with his formula of partner-symptom which states clearly and in a way utilisable by psychoanalysts that the bond to the Other is not to be sought along the pathways of love but along those of the drive. It supposes that the solution, to tie together the products of modern narcissism and contemporary solitudes, is to consider an ethics which emphasises that jouissance is not autoerotic — in which case the bond could not but emerge on the side of sublime love — but in the repetition itself of the failed encounter with jouissance the relation to the other as couple is articulated.
 
Laurent, E., “The Ethics of Psychoanalysis, Today”, Psychoanalytical Notebooks, No 8 (2002), p. 94.



LOVE CUTS #9

The Notebook

 



Presentation of the Congress Theme / Présentation du thème du Congrès

Les amours douloureuses
Painful Loves

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Jealousy Against Mourning

Butahan Demir

 

In that case, there will be a relationship between the idea of jealousy as a form of relating to the object and the process of mourning. The primary object, which serves as the root cause of the beloved object, simultaneously becomes the trigger for jealousy, as it acts as a reminder of the potential for loss.  

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Le transfert, à rebours d’un amour douloureux

Perla Miglin

De ce fait, le transfert ne peut pas être un amour douloureux ; à rebours, dans l’expérience de l’analyse, il devient un amour plus digne, où s’inscrit « cette Spaltung dernière par où le sujet s’articule au Logos  ». Est-ce là l’indication du fantasme fondamental ?



To confine ourselves to a more lucid tradition, perhaps we can understand the celebrated maxim by La Rochefoucauld — 'There are people who would never have fallen in love but for hearing love discussed'— not in the romantic sense of a thoroughly imaginary 'realization' of love that would make this remark into a bitter objection, but as an authentic recognition of what love owes to the symbol and of what speech brings with it by way of love.

Lacan J., “The Function and Field of Speech and Language in Psychoanalysis”, Écrits, trans. B. Fink, New York/London, Norton, 2006, p. 219.



LOVE CUTS #9

The Notebook

 



Presentation of the Congress Theme / Présentation du thème du Congrès

Les amours douloureuses
Painful Loves

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Amour vénéneux

Elfi Killachidou Lefeuvre

 

Alors que la relation sexuelle s’établit au niveau du désir, sous le signifiant du phallus, le rapport sexuel s’établirait au niveau de la jouissance. Paradoxalement, la mise en scène de l’empoisonnement de son partenaire semble faire « fonctionner » leur union désunie dans la souffrance, mais pas sans jouissance, oscillant entre amour et sacrifice.

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Possessed by Love

Bogdan Wolf

The symptom is being written in the present. Love’s madness is felt first as being loved, which is what Erato’s name carries. Ergo, love proceeds from inexistence. It is the cry in the solitary signifier that hooks, as Cupid shoots his arrow, onto the beloved.

The Ob-Scene Love of Manto

Prerna Lila Kapur

The trace of the waste object has been effaced and replaced by the signature of smell, “a smell at once pleasant and nauseating”, distinctly defining the subject's relationship to the object. Manto’s writing is ob-scene for it unveils the dynamics of sexuality, doing away with the curtain of love.
 

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« Ce qui est aimé dans un être est au-delà de ce qu’il est, à savoir, en fin de compte, ce qui lui manque. »

Lacan J., Le Séminaire, livre IV, La relation d’objet, texte établi par J.-A. Miller, Paris, Seuil, 1994, p. 142.



LOVE CUTS #8

A Single Man

 



Presentation of the Congress Theme / Présentation du thème du Congrès

Les amours douloureuses
Painful Loves

The deadline for submitting contributions for the blog has passed. Thanks to all contributors!

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