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ICLO-NLS 2021/2022 Inaugural Event

 
The
ICLO-NLS 2021/2022 Inaugural Event will take place ‘live-in-presence’
in the Museum of Literature Ireland (MoLI) and will be ‘live-streamed’

 
The title “Joyce and the Feminine Principle
stems from a reading of Joyce’s recasting of a fable by Aesop/ La
Fontaine: “The Fox and the Grapes”, into “The Mookse and the Gripes”,
which is one of the very few ‘stand-alone’ extracts that can be taken
from Finnegans Wake.

 
The Program will feature an introduction by Linda Clarke followed by a live reading of “The Mookse and the Gripes” by actor Sam Forde, with subsequent  round table discussion with Raphael Montague, Rik Loose, Florencia Shanahan and our guest Thomas McNally.

Thomas is an Irish artist, writer, and philosopher. His philosophical
publications include Wittgenstein and the Philosophy of Language
(Cambridge University Press, 2017) and his articles have appeared in
journals such as Philosophical Investigations, The British Journal of
the History of Philosophy, and The Nordic Wittgenstein Review. In 2018
and 2014, The Lilliput Press published his illustrated edition of
Joyce’s fables, The Mookse & the Gripes and The Ondt & the
Gracehoper.

 

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COMMUNIQUÉ DU BUREAU DE L’AMP

Nous avons le plaisir de vous annoncer que le prochain événement majeur de l’AMP, notre Congrès, évolue et change de tenue.
  1. Suite à des échanges avec Jacques-Alain Miller, il change de nom :
  • Grandes Assises Virtuelles Internationales de l’AMP
  • Grande Conversação Virtual Internacional da AMP
  • Gran Conversación Virtual Internacional de la AMP
  • Grande Conversazione Virtuale Internazionale da AMP
  • The WAP’S Great International Online Conversation
  1. Ces Grandes Assises se tiendront en visioconférence en avril 2022. Les inscriptions au Congrès de l’AMP effectuées en 2020 restent valables jusqu’au mois d’avril 2022.
  2. Le lancement de la chaîne AMP YOUTUBE
L’AMP inaugurera sa chaîne Youtube, AMP YOUTUBE, le vendredi 30 avril à 15H, heure de Paris, avec le lancement des Grandes Assises Virtuelles Internationales « LA FEMME N’EXISTE PAS ».
 
Pour en recevoir toute l'actualité, abonnez-vous à AMP YOUTUBE, en cliquant sur ce lien.
 
Sao Paulo, le 29 avril 2021
 
Le Bureau de  l’AMP
Angelina Harari
Jésus Santiago
Dominique Laurent

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Secrétaire ECF - École de la Cause freudienne - Association RUP
 

 
Suite à un article paru le 22 novembre 2021 dans Le Monde sous le titre "Enfants intersexes : les interventions médicales précoces et la question du consentement en débat", Studio Lacan vous propose une édition « éclair » sur ce sujet. Y participent le Dr Meyrat, chirurgien pédiatre et le juriste Benjamin Moron-Puech. Cette discussion est ponctuée par une chronique de France Jaigu sur le livre Une Femme sans qualités de Virginie Mouzat.
 

 
© 2021 Secrétaire ECF – École de la Cause freudienne – Association RUP
 
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IN THE WORLD

 
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Woman does not exist, that is understood.
But she travels. 
 
With the correspondents of the Great Conversation
let's follow her around the world…

 

 
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Copyright © 2021 Association Mondiale de Psychanalyse

 
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Woman does not exist but we talk about it all the more

bibliographic
FRAGMENTS

 
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Woman does not exist but we talk about it all the more.
 
Rather than an exhaustive bibliography, short comments on lesser-known quotations!
Make room for surprise, incomprehension and enigma…

 

 
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Copyright © 2022 Association Mondiale de Psychanalyse

 
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Deux sexes, un corps, aucun Univers

 
Copyright © 2021 Association Mondiale de Psychanalyse

 
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"Writing is a trace in which an effect of language can be read"
— Lacan, XX, 121



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NLS Congress presents

Thomas Svolos
Excerpt

An excerpt from: Thomas Svolos, The Aims of Analysis: Miami Seminar on the Late Lacan (New York: Midden Press, 2020), pages 31-36.
 
The following exchange occurred during a Seminar on “The Aims of Analysis” presented by Thomas Svolos in Miami Beach, Florida, on October 26, 2019, at the invitation of Lacanian Compass Miami.
 
Isolda Alvarez Arango: Okay, I have something. I don’t know if it is a question or a comment, but this is the thing. About the delusion thing—what about the body? The jouissance and type of signifiers that are, like you said, the mathemes, signifiers in the real. When you have the mathemes, you have signifiers in the real, because there is no meaning attached to it. It is just the place they are occupying and probably the relationship that they have with one another, right? But there is not a meaning attached to each one of them. So, what you said about jouissance and the body, the body event like you were talking the other day in the lecture. Can we still talk about delusion? And I know that there is a whole pragmatic thing about the use, but in this context, we are discussing this meaning of this word.


[1] See, for example, Fredric Jameson, The Antimonies of Realism, London, Verso, 2013, especially chapter 2.

 

Thomas Svolos: I think my first approach to that would be: if you think about the experience of a body event, it is without meaning. It is real. There is something. It is anguish. And, when you talk about it, give it your attention, as Miller says, you put meaning to it, then the body event is gone in a sense.
 
Arango: You’ve grasped it.
 
Svolos: You have taken hold of it. I believe that you can almost say that the body event is the moment of an apprehension of the body as real. I would say that. I would say that the body event, for an individual, a body event does not concern the imaginary body, that one can look at, but it is also not the mortified or symbolic body, right? Because the symbolic body has been named. All the parts have been named. We know how they work. There is an order to it. As you know, it is a named body. I think a body event, at least the moment of apprehension of the body event, prior to giving it meaning, is of the order of the real, and it is the real of the body. It is a moment, it is a temporal thing.

Alicia Arenas: It is a manifestation of pure jouissance of the body, with no meaning.
 
Svolos: Yes. Exactly.
 
Alvarez Arango: But a little jouissance, I am not so sure that we can still talk about delusion, like the one that we are talking about.
 
Svolos: No. Because a delusion involves the symbolic. That said, when you start to speak about it and it enters into the symbolic, then we might say that it is captured in a delusion, the delusional words one attaches to it.
 
Juan Felipe Arango: What you say about it is always a delusion. That is a delusion. What you say about it. But not the event itself. You must say something, you have to say something
or write something down. It is always an approximation. It is not correct. Even the mathematical formula, it is an approximation, it is not the object.
 
Alvarez Arango: The object itself.
 
Arango: And I want to add something. On this particular point, psychoanalysis has gone farther than any other discourse. And, that is not the issue, because science does not recognize that it has a deficit or that they are doing a kind of demonstration in the treatment of truth in science. Even if they know that it is no longer a problem in math, when they apply it, it becomes a belief. That is why maybe in Seminar XXIV, in Joyce the Sinthome, Lacan talks about thinking, the process of thinking, rationality, and how the thinking process itself is an obstacle to arrive at that point, because it is part of the symbolic, we have thoughts in signifiers. Only psychoanalysis, let’s say, is very biased or very aware, that this is a delusional practice. It is an irony, because it is to wake up the analyst in a certain way to say that we are delusional, but also because the other fields are very delusional, I am not talking about religion, but science itself.
 
Svolos: I would agree.
 
Just to go back to the issue of the body. For those of you who practice, think of schizophrenia. It is obvious that the schizophrenic appreciation of the body is very different. The body is less symbolized and thus less mortified. The strength of the symbolic on the body is often weaker and so the individual has a body that, in a sense, is more real. The different kinds of phenomena that someone with schizophrenia talks about regarding their body are very interesting, and it is very different, and I would say it is the real. It is another way of thinking about the question of the body, because the body is experienced in a very different way than the classical neurotic body.
 
Unknown participant: And if I am not mistaken, Lacan is one of the first to actually give place to those delusions saying, okay, you kind of can try to understand psychosis from what they try to say what their delusions are. From my short clinical experience, when psychotics try to explain their delusions and hallucinations, it has a better prognosis than it would if they cannot actually try to make sense and tie a knot around what is becoming the consequence of encountering that real and not having the ability to symbolize it, even though none of us really can symbolize it, because it goes beyond what we can name.
 
Svolos: Yes. I think the essence of schizophrenia, in that regard, is a disconnection and the practice is often about making connections. The schizophrenic may use the analytic experience to build a symbolic framework, which may have a delusional quality to it, but nonetheless, it is a symbolic framework that is stabilizing for the schizophrenic. It is very helpful connecting the dots.
 
Arenas: Related to these events, the body events, it is important to differentiate them from the conversions. Because conversions do disappear completely, as they are made of chains of language, they belong to the symbolic body. The body event, instead, belongs to the real body, with the interventions of the analyst, they may change in intensity, in force, but do not disappear completely.
 
Svolos: Right, it is true . . . I think you are right. Because a classical conversion symptom is a return of the repressed. A repressed signifier. It is the action of the signifier on the body, and if you can put that into the symbolic order and it is no longer repressed, it does disappear completely. And, this distinction shows the difference between the action of the signifier on the body and, with a definition you could almost use about what a body event is, the action of the real on the body or something like that. I don’t know, it sounds funny, not exactly right, as in a sense the real is always in the body, not acting on it.
 
Arenas: It is exactly that, it doesn’t come from the repressed, it is a direct mark of jouissance on the body.
 
Svolos: Yes, and the other thing about it that is interesting is that conversion symptoms generally are very specific. They are localizable . . .
 
Alvarez Arango: They are fixed.
 
Svolos: Fixed, yes. A body event, in as much as it has something to do with the real, it does not exist. So, it comes from a place, it is like some kind of . . .
 
Alvarez Arango: Opaque?
 
Svolos: Yes, it is an opaque experience, to use again that word opaque. Body events tend to be less localized. It is more of an ambience almost, although that word has the wrong temporality.
 
And, curiously, this binary of conversion symptom and body event has interesting echoes in other fields. I am thinking here of affect theory and the work that Fredric Jameson has done on the distinction between what he calls “named emotion” and “affect” in art. There are some distinctive shared characteristics between these subjective phenomena and some artistic phenomena. [1]

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Pendant le Congrès de la NLS 2021

Effets corporels de la langue


During the Congress of the NLS 2021

Bodily Effects of Language

 
La question Trans – The Trans Question 
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Le lien Zoom pour le congrès sera envoyé la veille du congrès

 The  Zoom link for the congress will be sent in the evening before the congress

Register HERE – Inscrivez-vous ICI!

 

Les inscriptions seront fermés le vendredi 21 mai, 21h (Bruxelles/Paris)  


Registrations will be closed on Friday 21th of May 9 p.m. (Brussels/Paris Time)

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We'll always have Paris

WE'LL ALWAYS
HAVE PARIS

 
December, 1941, Casablanca[1] airport. Ilsa refuses to board the plane to Lisbon with Victor Laszlo, her husband, a hero of the Resistance. Rick Blaine, the dark American whom she secretly loves, urges her to do her duty and tells her, as a final argument “We’ll always have Paris”.

Rick and Ilse say goodbye in Casablanca but they met in Paris, the year before: the added post-synch flashbacks show them, happy, in a convertible, on the Champs Élysées, a few months before Nazi boots tread the cobblestones of the most beautiful avenue in the world. Paris, an erotic, refined and joyful city, has since been overtaken by history. Even if, lurking in the shadow of its elegant outlines and perspectives, resistance is organised, Paris is sorrowful.

"We will always have…". The Paris that Rick summons in a whisper is that of a parenthesis, between a happy past and a promise. A city that is no longer but could be again. Suspended Paris, unpredictable like its lovers, has the perfume of the woman who does not exist. But it is not excluded that we meet there.

France Jaigu

Translation by Joanne Conway

 

[1] Casablanca (1942) is an American dramatic film directed by Michael Curtiz with Humphrey Bogart (Rick Blaine) and Ingrid Bergman (Ilsa).

 

 
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 NLS-Copenhagen 

30 January – ZOOM



Towards NLS Congress: 
Fixation and repetition

 with Joanne Conway


1pm Local Time 

Language: English 

More information: https://www.nlskbh.dk


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