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« Le monde est omnivoyeur, mais n’est pas exhibitionniste – il ne provoque pas notre regard. Quand il commence à le provoquer, alors commence aussi le sentiment d'étrangeté. »

Lacan J., Le Séminaire, Livre XI, Les quatre concepts fondamentaux de la psychanalyse, texte établi par J.-A. Miller, Paris, Seuil, 1973, p. 71-72.

"The world is all-seeing, but it is not exhibitionistic — it does not provoke our gaze. When it begins to provoke it, the feeling of strangeness begins too."

Lacan J., The Seminar of Jacques Lacan, Book XI,The Four Fundamental Concepts of Psychoanalysis, ed. J.-A. Miller, trans. A. Sheridan (New York: Norton, 1977), 72.

The Gaze and the Obscure God
Natalie Wülfing

"Films about victims of any kind always display this humanist sadism inherent in good intentions. Glazer’s film does not fall into this trap. Here, not our “vision is solicited, but our gaze is aroused”, as a nausea that reigns over the entire experience of watching this film. We are in the field of the gaze."

The Gaze as the Rock of Castration
Dana Tor-Zilberstein

“Maybe we could say that instead of extracting our own eyes like Oedipus, at the end of analysis, one extracts his own way of seeing the world, the object a which determines the fantasy, i.e., the gaze. Or, one would attest to his way of doing with it, with that which eludes, and cannot be passed."

The Sovereignty of the Image in the Sexual
Rik Loose

“The image (of pornography) reigns supreme in our modern digitalized culture. It shows that the gaze is susceptible to being hijacked by it, but also that the visibility aspect of the image cannot capture the real of the sexual act and of the sexual relation.”

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ICLO – NLS

12 April – Dublin

Seminar Towards the NLS Congress

Civilisation of the Ιmage and New Symptoms:

The Function of the Gaze

with Domenico Cosenza

––––––––––––––––––––––––––––––––––––––––––––

New Lacanian School

ICLO – NLS

13 April – Dublin

Conference

The Gaze in the Freudian Clinical Cases

with

Domenico Cosenza

––––––––––––––––––––––––––––––––––––––––––––

New Lacanian School

Lacanian Compass (USA)

5, 6 April – Fort Lauderdale, Florida

Clinical Study Days

Transference & Interpretation

with

Christiane Alberti & Laurent Dupont

––––––––––––––––––––––––––––––––––––––––––––

New Lacanian School

Initiative Berlin

6 April 2024 – Berlin

Seminar Towards the NLS Congress

What is Missing in the Image

with Yves Vanderveken

––––––––––––––––––––––––––––––––––––––––––––

New Lacanian School

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London Workshop

of the Freudian Field

6 April – London

The Symptom

with

Vicente Palomera

Click here for Bibliography

––––––––––––––––––––––––––––––––––––––––––––

New Lacanian School

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« Le vide intérieur passe à l’extérieur, et devient objet tache comme la boîte de sardines dont Lacan, évoquant un souvenir de jeunesse, a fait un apologue […] Elle faisait tache cette boîte, comme un plein dans le monde. L’extraction topologique transforme le vide en cet objet qui nous regarde, qui nous fascine, qui convoque notre regard. Il est articulé au corps par l’effet qu’il produit et qui n’est pas un effet de signification. »

Laurent É, L’Envers de la biopolitique. Une écriture pour la jouissance, Éditions Navarin / Le Champ freudien, 2016, 188.

A Gaze that Is Always Already Here
Contemplating Picasso’s Exhibition
Gleb Napreenko

"Picasso’s phrase, “I do not seek, I find,” indicates his position in relation to the gaze. He deals with the gaze that is always already here, in the flesh. His drawing is iteration: not the repetition of “that’s not it,” which relates to the search for the lost and hidden, but of “that’s it!” — here, every time."

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Haïku : du regard, par le signifiant
Ruzanna Hakobyan

« Dans le haïku, c’est semble-t-il le sonore, le soudain bruit de ciseau, qui souvent précède l’image. Un moment où la vision se sépare, se détache du regard, où le sujet « sort du dialogue des regards ». C’est précisément à ce moment que le tableau apparaît. »

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The Adornments of the Dandy
Dries G. M. Dulsster

"According to J.-A. Miller, the analyst has something to do with the dandy: he even states that Lacan might have been a bit of a dandy at heart. […] For Lacan, “there was a refusal of the norm and a refusal to go unnoticed. One must be able to bear it, not to go unnoticed, not to blend into the crowd, but on the contrary, to intensify the appearance."