London Society

22 March

Lacanian Love:

The Inexistence of the Sexual Relation

with Fabian Fajnwaks

Followed by a closed clinical conversation

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New Lacanian School

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Love That Turned into a Double-edged Knife

Yannis Dimitrakos

The drama of this love ends with the community of the neighborhood mourning over Stella's lifeless body as if they mourn the lost opportunity for these two icons of modern Greek reality to make the transition into a new love, one that, set against the backdrop of lack and impossibility, would have allowed them “a new alliance with jouissance”.

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S’inventer un amour

Renata Teixeira

Luís de Camões, poète portugais du XIVe siècle, a écrit un poème qui illustre l’amour romantique. Dans ce poème, Camões introduit la facette réelle de l’amour : l’amour comme feu ardent, l’amour comme insatisfaction, l’amour et sa solitude. La question de l’amitié à la fin du poème se démarque de cette idée de non-rencontre amoureuse, du désir insatisfait.

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“Certainly I came to medicine because I had the suspicion that the relations between man and woman played a determining role in the symptoms of human beings. This gradually pushed me towards those who did not succeed, since psychosis can certainly be said to be a kind of failure in the fulfillment of what is called 'love'.”

Lacan J., “Yale University: Kanzer Lecture”, The Lacanian Review, No 12 (2022), p. 46.

LOVE CUTS #5

India Song

Presentation of the Congress Theme / Présentation du thème du Congrès

Les amours douloureuses
Painful Loves

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Bertha's Painful Love

Malka Shein

In Seminar XI, Lacan references Anna O's case as a gesture on the crucial discovery of transference, and following Freud, as evidence of the sexual reality of the unconscious. He does not overlook the exceptional circumstances of the end of the treatment, using it to distinguish between Breuer's desire and the desire of an analyst.

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Le courage d'aimer

Xenia Kononenko

Cela signifie qu’en vue d’un amour plus digne, en analyse, le sujet prend la responsabilité face à une rencontre contingente en reformulant et réécrivant sa jouissance. Devenir poésie à partir de ce qui n’avait pas encore été lu, c’est la pratique d’un nouvel amour, contre celui qui est douloureux. Sans garantie mais avec le courage d’aimer.

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« Je t’aime, mais, parce qu’inexplicablement j’aime en toi quelque chose plus que toi – l’objet a, je te mutile. »

Lacan J., Le Séminaire, livre XI, Les quatre concepts fondamentaux de la psychanalyse, texte établi par J.-A. Miller, Paris, Seuil, 1973, p. 241.